
Synopsis
The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco' (1978) by The Wonderland Disco Band. (Wikipedia)

Technology/Transformation: Wonder Woman (1978)
Genre: Action
Cast: Lynda Carter
Crew: Dara Birnbaum
Release: 1978-11-29
Budget: $3,223,649
Revenue: $49,982,841
Soil Scientist: Carmella Abshire
Plastic Molding Machine Operator: Jailyn Ortiz
Gluing Machine Operator: Viviane Streich
Police and Sheriffs Patrol Officer: Miss Aimee Greenholt
Radio and Television Announcer: Halle Schamberger Sr.
Sales Representative: Lucas Glover
Massage Therapist: Marjorie Leffler
Logging Equipment Operator: Ofelia Runolfsson
Cabinetmaker: Mr. Aric Paucek Sr.
Internist: Mr. Gus Senger
Cast: Lynda Carter
Crew: Dara Birnbaum
Release: 1978-11-29
Budget: $3,223,649
Revenue: $49,982,841
Soil Scientist: Carmella Abshire
Plastic Molding Machine Operator: Jailyn Ortiz
Gluing Machine Operator: Viviane Streich
Police and Sheriffs Patrol Officer: Miss Aimee Greenholt
Radio and Television Announcer: Halle Schamberger Sr.
Sales Representative: Lucas Glover
Massage Therapist: Marjorie Leffler
Logging Equipment Operator: Ofelia Runolfsson
Cabinetmaker: Mr. Aric Paucek Sr.
Internist: Mr. Gus Senger
Technology/Transformation: Wonder Woman | Video Data Bank.
Technology/Transformation: Wonder Woman - by Dara Birnbaum (1978).
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79. Video (color, sound). 5:50 min. Committee on Media Funds. 1161.2007. © 2020 Dara Birnbaum. Courtesy Electronic Arts Intermix (EAI), New York. Media and Performance.
Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into ....
Technology/Transformation: Wonder Woman by Dara Birnbaum ....
Changing Channels: Dara Birnbaum’s Televisual Art Comes into Focus.
Oct 13, 2017 ... Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic ....
(2013). Dara Birnbaum: Technology/Transformation: Wonder Woman by T. J. Demos. Cambridge, Massachusetts and London: MIT Press, Afterall Books, 2010. Quarterly Review of Film and Video: Vol. 30, No. 2, pp. 190-193..
Mar 27, 2018 ... For some women at the time, Wonder Woman was an inspiring figure, ... Dara Birnbaum, Technology/Transformation: Wonder Woman, ....
Dara Birnbaum's 'Technology/Transformation: Wonder Woman (1978-79)'.
Technology/Transformation: Wonder Woman is a video by Dara Birnbaum made in 1978-1979 that takes as its subject the appropriation of gendered imagery as ....
Technology/Transformation: Wonder Woman. Dara Birnbaum. 1978 | 00:05:45 | United States | English | Color | 4:3 | Video. Collection: Early Video Art, Single ....
Technology/Transformation: Wonder Woman - by Dara Birnbaum (1978). June 19, 2014 | 6:26 PM EDT. Related. Read More. Up next in Top News. 5:23..
Nov 22, 2017 ... Dara Birnbaum deconstructs the oppressive cultural ideology surrounding women in the media using choppy repetitions of Wonder Woman's ....
A critical examination of Dara Birnbaum's action-packed and riveting video of Wonder Woman's transformations. Opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren, Dara Birnbaum's video Technology/Transformation: Wonder Woman (1978–79) is a concise, action-packed, and visually riveting video. During its seven-minute span we see, again and again, the transformation of the drab secretary Diana Prince into the super-heroic Wonder Woman. By isolating and repeating the moment of transformation—spinning figure, arms outstretched—Birnbaum unmasks the technology at the heart of the metamorphosis. In this illustrated examination of Birnbaum's video, T. J. Demos situates it in its historical context—among other developments in postmodernist appropriation, media analysis, and feminist politics—and explores the artist's pioneering attempts to open up the transformative abilities of video as a medium. Demos examines Birnbaum's influence on such artists as D.
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79 | MoMA.
Dara Birnbaum.
Technology/Transformation: Wonder Woman, Dara Birnbaum.
Technology/Transformation: Wonder Woman - Wikipedia.
Dara Birnbaum: Technology/Transformation: Wonder Woman by T. J. Demos. Cambridge, Massachusetts and London: MIT Press, Afterall Books, 2010
Technology/Transformation: Wonder Woman - by Dara Birnbaum (1978).
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79. Video (color, sound). 5:50 min. Committee on Media Funds. 1161.2007. © 2020 Dara Birnbaum. Courtesy Electronic Arts Intermix (EAI), New York. Media and Performance.
Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into ....
Technology/Transformation: Wonder Woman by Dara Birnbaum ....
Changing Channels: Dara Birnbaum’s Televisual Art Comes into Focus.
Oct 13, 2017 ... Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic ....
(2013). Dara Birnbaum: Technology/Transformation: Wonder Woman by T. J. Demos. Cambridge, Massachusetts and London: MIT Press, Afterall Books, 2010. Quarterly Review of Film and Video: Vol. 30, No. 2, pp. 190-193..
Mar 27, 2018 ... For some women at the time, Wonder Woman was an inspiring figure, ... Dara Birnbaum, Technology/Transformation: Wonder Woman, ....
Dara Birnbaum's 'Technology/Transformation: Wonder Woman (1978-79)'.
Technology/Transformation: Wonder Woman is a video by Dara Birnbaum made in 1978-1979 that takes as its subject the appropriation of gendered imagery as ....
Technology/Transformation: Wonder Woman. Dara Birnbaum. 1978 | 00:05:45 | United States | English | Color | 4:3 | Video. Collection: Early Video Art, Single ....
Technology/Transformation: Wonder Woman - by Dara Birnbaum (1978). June 19, 2014 | 6:26 PM EDT. Related. Read More. Up next in Top News. 5:23..
Nov 22, 2017 ... Dara Birnbaum deconstructs the oppressive cultural ideology surrounding women in the media using choppy repetitions of Wonder Woman's ....
A critical examination of Dara Birnbaum's action-packed and riveting video of Wonder Woman's transformations. Opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren, Dara Birnbaum's video Technology/Transformation: Wonder Woman (1978–79) is a concise, action-packed, and visually riveting video. During its seven-minute span we see, again and again, the transformation of the drab secretary Diana Prince into the super-heroic Wonder Woman. By isolating and repeating the moment of transformation—spinning figure, arms outstretched—Birnbaum unmasks the technology at the heart of the metamorphosis. In this illustrated examination of Birnbaum's video, T. J. Demos situates it in its historical context—among other developments in postmodernist appropriation, media analysis, and feminist politics—and explores the artist's pioneering attempts to open up the transformative abilities of video as a medium. Demos examines Birnbaum's influence on such artists as D.
Dara Birnbaum. Technology/Transformation: Wonder Woman. 1978-79 | MoMA.
Dara Birnbaum.
Technology/Transformation: Wonder Woman, Dara Birnbaum.
Technology/Transformation: Wonder Woman - Wikipedia.
Dara Birnbaum: Technology/Transformation: Wonder Woman by T. J. Demos. Cambridge, Massachusetts and London: MIT Press, Afterall Books, 2010
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